With the sculptures Biomorph, Tower of Babel, and Robot Pepper I try to tap into a sense of spontaneity that is not possible with figure sculpture. Both sculptures tackle social and political issues indirectly.

While making Biomorph I was thinking about the future and the possibility for unity and harmony of man and machine. On the other hand, while sculpting Tower of Babel, I was thinking about the lack of communication that results in wars and the devastation of the environment.

In both Biomorph and Robot Pepper I weave together organic and manmade forms as seamlessly as I can; a sort of prayer for humanity to create and use technology wisely.

Tower of Babel is meant as a warning, a symbol for the contemporary wastefulness of our limited resources, especially oil and air with a low carbon content, and the ignoring of warnings about our folly. Technology has made it possible to bridge all obstacles to communication, but it seems sometimes still that people speak gibberish at one another